Photo of the Week


Left to right: Eiffel Tower, Louvre Pyramid, Arc de Triomphe du Carrousel and Ferris Wheel. © Paris Update


Paris Update This Week’s Events

For full details about an event, click on the title to visit the official Web site (in English when available).

Drawing through the ages

"Apples" (1944), by Henri Matisse. Eric Coatalem Gallery.

> Salon du Dessin: 39 galleries showing works on paper, from Old Masters to contemporary. Palais Brogniart, Paris, March 22-27.

Contemporary drawing fair
> Drawing Now: 73 galleries, Carreau du Temple, Paris, March 23-26.

More contemporary drawings
>Ddessin: 20 galleries. Atelier Richelieu, Paris, March 24-26.

Art and design fair
> PAD (Paris Art + Design),
67 galleries, Tuileries Garden, Paris, March 22-26.

African culture festival
> The 100% Afriques festival showcases dance, theater, music, fashion, design, art, food and more from all over the continent. La Villette, Paris, March 23-May 28.

French film with English subtitles
> Lost in Frenchlation shows Audrey Dana's Si j'Étais un Homme, preceded by a themed cocktail party (€4.50). Studio 28, Paris, Feb. 24.

Documentary film festival
> Cinéma du Réel showcases documentaries from around the world. Various venues, Paris, March 24-April 2.

Suburban blues
> The Banlieues Bleues festival brings major French and international jazz acts to the Paris suburbs. Various venues, through March 31.

Before and after ecological disaster
> The Chic Planète festival presents two types of films, those celebrating the bounty of the earth and science-fiction views of what will happen after an ecopalypse. Forum des Images, Paris, through April 13.




Art - Flash News


Christopher Forbes Collection

Tragicomic Coda or
Misunderstood Monarch?


“Empress Eugénie Surrounded by her Ladies-in-Waiting,” after Franz-Xavier Winterhalter. © Osenat

Louis Napoleon, a.k.a. Napoleon III, gets a bad rap from history: he is often seen as a sort of tragicomic coda to the glories of his uncle, the “real” Napoleon. Even people who scramble for apartments in elegant mansions on the avenues planned by his man Baron Haussmann tend to think of him (if at all) as the despot who knocked down swathes of Paris to give his troops clear fields of fire on the city’s dreaded revolutionary mobs.

The ruler who presided over nearly a quarter-century of middle-class prosperity from 1848 to 1870, first as president and then as emperor, Napoleon III gets short shrift from anti-bourgeois anti-colonialists. The surrender of Sedan and the loss of Alsace-Lorraine overshadow the victories of the Crimean War and the annexation of Nice and Savoy.

Even his name confuses: Why Napoleon III, when he headed the Second Empire? Louis Napoleon dubbed himself Napoleon III to cloak his coup d’état in his uncle’s imperial legacy and to acknowledge the reign of Napoleon II, nicknamed “L’Aiglon,” although that reign lasted two days, April 4-6, 1814, in between Napoleon I’s two abdications, when the said “eaglet” was three years old.

A lot of dynastic mythmaking was going on in those two words.

Christopher “Kip” Forbes, vice chairman of the Forbes publishing group and an avid collector, has spent much of the past 50 years on a private quest to rebalance the historical narrative, building a vast collection of Second Empire art and memorabilia in the process. This hoard is now being sold off over three days at the Osenat auction house in Fontainebleau, on March 5 and 6, and April 9.

Ranging from giant battle paintings and court


“Emperor Napoleon III in His Study,” by Eugènie Montpellier and Hyppolyte Flandrin. © Osenatportraits to satirical cartoons, letters, photos, rare books, sculptures, imperial Sèvres porcelain and royal baby clothes, the collection is light on museum-quality art but rich in decorative, historically evocative and affordable bits and pieces.

Wickedly funny are more than a dozen sets of French and English caricatures and cartoons, a satirical poke at the pretentions of the imperial family and imperial politics, mostly estimated in the low to middle hundreds of euros. They include two sets of four satirical drawings of the emperor by Ferdinand Bac, particularly interesting because the artist was an illegitimate cousin of his subject.

Also interesting are a couple of dozen sketches and drawings by members of the imperial family, mostly estimated between €500 and €1,500. They include lively pen and pencil sketches by the emperor’s son, Napoleon Eugene Louis, and portraits by Princess Mathilde Bonaparte, a cousin and famed literary hostess whom he nearly married.

Military art buffs can have a field day with a pencil study by Degas of the heads of Napoleon III and his army marshals (estimated at €25,000-€30,000) and multiple battle scenes and uniform illustrations by the leading military painters Édouard Detaille and Alphonse de Neuville.

Even if nothing takes your fancy, it’s a good excuse for a day out in Fontainebleau.

Brian Childs

Hôtel des Ventes Osenat: 5, rue Royale, 77300 Fontainebleau. Tel.: 01 64 22 27 62. Previews begin March 2. Sales: March 5, 2 pm; March 6, 11am and 2pm; April 9, 2 pm.

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