Photo of the Week


Left to right: Eiffel Tower, Louvre Pyramid, Arc de Triomphe du Carrousel and Ferris Wheel. © Paris Update


Paris Update This Week’s Events

For full details about an event, click on the title to visit the official Web site (in English when available).

Drawing through the ages

"Apples" (1944), by Henri Matisse. Eric Coatalem Gallery.

> Salon du Dessin: 39 galleries showing works on paper, from Old Masters to contemporary. Palais Brogniart, Paris, March 22-27.

Contemporary drawing fair
> Drawing Now: 73 galleries, Carreau du Temple, Paris, March 23-26.

More contemporary drawings
>Ddessin: 20 galleries. Atelier Richelieu, Paris, March 24-26.

Art and design fair
> PAD (Paris Art + Design),
67 galleries, Tuileries Garden, Paris, March 22-26.

African culture festival
> The 100% Afriques festival showcases dance, theater, music, fashion, design, art, food and more from all over the continent. La Villette, Paris, March 23-May 28.

French film with English subtitles
> Lost in Frenchlation shows Audrey Dana's Si j'Étais un Homme, preceded by a themed cocktail party (€4.50). Studio 28, Paris, Feb. 24.

Documentary film festival
> Cinéma du Réel showcases documentaries from around the world. Various venues, Paris, March 24-April 2.

Suburban blues
> The Banlieues Bleues festival brings major French and international jazz acts to the Paris suburbs. Various venues, through March 31.

Before and after ecological disaster
> The Chic Planète festival presents two types of films, those celebrating the bounty of the earth and science-fiction views of what will happen after an ecopalypse. Forum des Images, Paris, through April 13.




Art - Museums


Musée Rodin

Musée Rodin Redone:
Less Bohemian, More Elegant


"The Walking Man." Photo: Agence Photo-
graphique Musée Rodin, Jérôme Manoukian

It is strangely quiet now in the newly renovated Rodin Museum, located in the 18th-century Hôtel Biron. The handsome Versailles parquet, now shored up to support the weight of the master’s heavy statues, makes nary a squeak (it used to make so much noise that the museum guides had to shout to be heard over it). The cracks in the walls have been plastered over and covered with a chic shade of grayish-green paint specially created for the museum by Farrow & Ball, posh purveyors of the colors du jour. The works are lit by the latest in track lighting, and the new graphics offer a good sense of what you are seeing in each room. The dust-free crystal chandeliers sparkle, and the carved-wood paneling in the gracious oval corner rooms gleams. The age of this elegant mansion is visible only in the spotty, cloudy mirrors.

During the three-year renovation, the museum also took the opportunity to pull many plaster casts out of the reserves and restore them, the better to illustrate the evolution of some of the master’s most important works through many states – it is staggering to see how much work went into each sculpture.

Rodin (1840-1917) lived and worked in the


Rodin photographed by Eugène Druet in his studio, c. 1902. © Musée Rodin

Hôtel Biron as of 1908, and one of those oval corner rooms helps to satisfy visitors’ curiosity about his life there with period furnishings and photos and objects that belonged to him: fragments of antique statues, paintings and other works, including a curious 19th-century bronze statue of the god of longevity from Japan. These pieces are interspersed with his own works, all displayed on crates or simple sculptors’ stands as shown in contemporary photos of his rooms. Rodin’s then-radical view was that stands should be as simple as possible, and the new wooden stands displaying his work throughout the museum are accordingly discreet. Modern in design, their wood matches the parquet.

The visit starts out chronologically with some of the young artist’s early sculptures and paintings, including a group of lovely landscapes that have a Turneresque quality in their use of light. From there on, visitors find a succession of favorites – among mine are his many studies for a statue of Balzac; the monumental “The Gates of Hell” and “The Burghers of Calais”; "The Walking Man” (pictured at the top of this page); and the theatrically emotional “The Prodigal Son.”


“The Prodigal Son.” Photo: Agence Photographique Musée Rodin, Jérôme ManoukianOne room contains the work of Rodin’s talented and tragic pupil and lover Camille Claudel (exhibiting her work was a stipulation of his gift of his own work to the state), and another a few masterworks from his collection of paintings, including pictures by Monet and Van Gogh. The show continues outside in the extensive gardens, where “The Thinker” ponders, the unfinished “Gates of Hell” remain


closed and “The Burghers of Calais” await their sad fate.

Has all this cleanliness and solidity stolen the soul of this wonderful museum, where one used to have the impression that the master had just stepped out for a break from the heavy work of making statues and might be back again any minute? Not really. Great care has been taken to be faithful to the artist, his work and the building, and while you may miss the creaky charm of its former dilapidated state, which seemed more appropriate for a bohemian artist than this elegant interior, you will leave more than ever convinced that Rodin was truly a genius and glad that his home will last for at least another century.

Heidi Ellison

Musée Rodin: 79, rue de Varenne, 75007 Paris. Métro: Varenne or Invalides. Tel.: 01 44 18 61 10. Open Tuesday-Sunday, 10am-5:45am, Until 8:45pm on Wednesday. Closed Monday. Admission: €10.

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