Photo of the Week

Paris-Update-EiffelTower

The Eiffel Tower seen from a rooftop in Montparnasse on a smoggy day. © Paris Update

 

Paris Update This Week’s Events

For full details about an event, click on the title to visit the official Web site (in English when available).

Women’s March on Paris
> The day after Donald Trump’s inauguration, women will march in cities around the world. Starts at the Parvis des Droits Humains, Trocadero, at 2pm, crosses the Pont d’Iéna and ends at the Mur pour la Paix at 4:30pm.

Behind closed doors
> Book now to visit places in Paris that are normally closed during Paris Face Cachée, including a lab trying to find cures for genetic diseases, located in a glass building with a panoramic roof terrace. Various venues, Paris and suburbs, Jan. 27-29.

Book signing
> Irish author Donal Ryan signs copies of his latest book, The Thing About December. Irish Cultural Center, Paris, Jan. 19.

Late-Night Magritte
> The Magritte exhibition at the Centre Pompidou will stay open until 10pm from Jan. 19 through the last day, Jan. 23.

Drinkathon
> Paris Cocktail Week offers master classes, special restaurant menus with cocktail/food pairings and other festivities. Various venues, Paris, Jan. 21-28.

Young European photographers
> The Festival Circulation(s) features emerging photographers. Centquatre, Paris, Jan. 21-March 5.

Picasso at the airport
> The exhibition "Picasso Plein Soleil" presents works made by the master while living on the Côte d’Azur. Espace Musées, Charles-de-Gaulle Airport 2E, Jan. 21-June 15.

Cheap cinema
> During the Festival Cinéma Télérama, you can see a selection of last year’s best films for only €3.50 each with the purchase of Télérama magazine (Jan. 11 and 18 issues). Various cinemas, Jan. 18-24.

Free subtitled French films
> My French Film Festival offers frees streaming of French movies. Through Feb. 13.

Frank Capra Retrospective
> The great American director in the spotlight. Cinémathèque Française, Paris, through Feb. 27.

Sex, Lies and Corruption
> The Hollywood Décadent festival features such films as Joseph Mankiewicz’s Cleopatra with Elizabeth Taylor, Valley of the Dolls, and Vincente Minnelli’s Nina. Cinémathèque Française, Paris, through Jan. 25.

Chinese New Wave
> Nouvelles Voix du Cinéma Chinois screens films by a new generation of directors beginning around the turn of the 21st-century. Cinémathèque Française, Paris, through Feb. 20.

Winter sales
> Retail sales all over France: through Feb. 21.

Ice-Skating Rinks
> Where to ice skate in Paris, including the Eiffel Tower and the Grand Palais.

English plays in French
> Two plays by Harold Pinter, Ashes to Ashes and L’Amant, directed by Mitch Hooper, are onstage at the Essaïon through Jan. 24, 2017.

 

Film - Comedy

 

The Science of Sleep

Stuck in Dreamworld
Dream or reality? Guy (Alain Chabat) dukes it out with big-handed Stéphane (Gael Garcia Bernal).

use of pseudo-scientific ideas to explore what happens when love is induced through dreams.

The new film, the first Gondry has both scripted and directed, stars that young actor the camera (and the audience) just loves, Gael Garcia Bernal. Oozing charm and boyish good looks as usual, he romps his way through this film as a naïve young half-Mexican guy, Stéphane, whose French mother lures him to Paris by claiming that she has found him a job as an illustrator.

The job turns out to be not at all what it was cracked up to be, but it provides an excuse to introduce some wacky co-workers (notably Alain Chabat as Guy) and provide a brilliant portrait of a small French business, a producer of tacky promotional calendars for companies, that is stuck in the 1950s.

Meanwhile, Stéphane is stuck in his childhood. He sleeps in his boyhood bed and believes that people can connect in their dreams, which is just what happens with his next-door neighbor, Stéphanie (Charlotte Gainsbourg), a young woman who is also in touch with her inner child but is slightly more mature than the playful, babyish (he cries a lot) Stéphane.

The Science of Sleep is full of fun, fantasy, poetry, romance, color, creativity and crazy antics, but in the end the charm seems forced. The logic that should underpin the idea of two people connecting in their dreams gets lost, and so does the audience, wondering what is supposed to have really happened and what happened only in Stéphane’s dream world. And, although much of the film is played for laughs, it elicits surprisingly few from the audience. All the elements are there – great idea, actors, cinematography, props, music, etc. – but this scientific experiment fizzles in the end.

Heidi Ellison


© 2006 Paris Update

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