Photo of the Week


The upside-down innards of the Conciergerie shown on a tarp on the facade and reflected in the Seine. © Paris Update


Paris Update This Week’s Events

For full details about an event, click on the title to visit the official Web site (in English when available).

Monster contemporary art fair
> FIAC: 189 galleries show their wares in the Grand Palais and Petit Palais, Paris, Oct. 20-23.

Art on the Champs
> Art Élysées: 75 modern and contemporary art and design galleries in tents on the world's most famous boulevard. Champs Elysées, Paris, Oct. 20-24.

Asian art
> Asia Now: 30 contemporary galleries showing work by Asian artists. 9, av. Hoche, Paris, Oct. 20-23.

Art brut
> Another kind of art at the Outsider Art Fair. Hotel du Duc, Paris, Oct. 22–25.

Art in a townhouse
> Paris Internationale: contemporary art fair in a Parisian townhouse. 51, avenue d'Iéna, Paris, Oct. 19-23.

Young international artists
> YIA Art Fair: Youth takes precedence at this art fair. Carreau du Temple, Paris, Oct. 20-23.

Digital art
> Variation: Contemporary digital art fair. Cité Internationale des Arts, Paris, Oct. 18-23.

“Music for old people”
> Le Classique C'est pour les Vieux: The ironically titled music festival holds classical concerts in skateparks, cafés, artists' studios and other unusual venues and incorporates street art, 3D performances and more. Paris, Oct. 20-23.

Film festival for kiddies
> Mon 1er Festival: some 400 screenings, premiers and more for kids aged two and up. Various locations, Paris, Oct. 19-25.


For Brassens fans
> The annual 22V'laGeorges Festival celebrates what would have been the great singer’s 95th birthday this year in his hometown of Sète. Oct. 22-29.

Refugee children speak through art


> From Syria with Love, an exhibition of drawings by Syrian refugee children. Galerie CInq, 5 rue du Cloitre St Merri, 75004 Paris, through Oct. 21.

Classic Danish films
> Festival of movies by Carl Theodor Dreyer. Cinémathèque Française, Paris, through Nov. 6.

Jazz galore
> Paris's leading jazz clubs cooperate for the festival Jazz sur Seine, with special prices for concerts, showcases and master classes. Various locations, Paris, through Oct. 22.

Cultures of the world onstage
> Music, dance, theater and ritual performances from around the world at the Festival de l'Imaginaire. Various locations, Paris, through Dec. 20.

Strange Happenings in St. Germain
> The exhibition Bizarro, with works by a number of artists, fills seven Left Bank galleries with “Bêtes de Scènes et Sacrés Monstres.” Don’t miss the Meta-perceptual Helmets by the Irish duo Cleary/Connolly
at the Librairie Alain Brieux, which allow the viewer to see forward and backward, for example, or the way a cyclops or horse would see. Various locations, Paris, through Oct. 30.

Contemporary arts festival
> The Festival d’Automne presents leading talents in art, dance, film, theater and more from around the world. Various venues, Paris, through Dec. 31.

Amazing gardens
> The popular Festival International des Jardins de Chaumont-sur-Loireis held annually in the park of the Château de Chaumont in Chaumont-sur-Loire, through Nov. 2.

Music & more in park bandstands
> Kiosques en Fête brings life to the bandstands in Paris’s parks with concerts, writing workshops, club meetings and even a square dance. Various locations, Paris, through Dec. 31.


Hot Topics - Exhibitions


Juger Eichmann

Juger Eichmann, Mémorial de la Shoah, paris

Adolf Eichmann blindfolded before being taken to Israel, photographed by Zvi Aharoni, the Mossad agent who found Eichmann in Argentina.

Fifty-one years ago, a team of Israeli agents captured a German citizen living under a false name in Argentina. The man pretending to be Ricardo Klement was the infamous ...

Juger Eichmann, Mémorial de la Shoah, paris

Adolf Eichmann blindfolded before being taken to Israel, photographed by Zvi Aharoni, the Mossad agent who found Eichmann in Argentina.

Fifty-one years ago, a team of Israeli agents captured a German citizen living under a false name in Argentina. The man pretending to be Ricardo Klement was the infamous Nazi officer Adolf Eichmann, who played a major role in organizing the Holocaust. Eichmann’s trial, which took place in Jerusalem between April 11 and December 15, 1961, was almost entirely filmed and was one of the world’s first global events. The trial is now the subject of a rich, informative bilingual (French and English) exhibition at Paris’s Mémorial de la Shoah.

The aim of the exhibition, which begins with the display of front pages from some leading world newspapers following Eichmann’s arrest on May 11, 1960, is to show that Eichmann’s trial marked the emergence of efforts to remember the Shoah and of new forms of justice that would lead to international trials for genocide in Rwanda and Yugoslavia many years later.

Covering the preparation and management of the trial and the complex personality of Eichmann, the exhibition displays some noteworthy exhibits, including letters sent to then-Prime Minister of Israel David Ben-Gurion following Eichmann’s arrest. Some of them call for Eichmann to be tortured, while others threaten the Jews with retaliation if Eichmann is hurt. What is interesting is the vision and determination of Ben-Gurion, who wanted Eichmann’s trial to be not only about justice, but also about educating Israeli youth about the Shoah. Ben-Gurion wanted the event to inspire “memory work” that would show the entire world the unity of the Israeli people.

We also see such exhibits as a letter to German philosopher Karl Jaspers from German-American political theorist Hannah Arendt, who reported on the trial for The New Yorker and coined the phrase “the banality of evil” in her book Eichmann in Jerusalem: A Report on the Banality of Evil. Arendt saw Eichmann as the archetypal “administrative criminal.”

The exhibition also focuses on Eichmann the man and, in particular, on the disparity between the man and his deeds. Eichmann was responsible for transporting millions of Jews from all over Europe to deaths camps in Poland, but some photos on display show us an ordinary man in slippers, writing his memoirs while waiting to be judged.

The exhibition ends with a room dedicated to the trial itself, where the visitor can watch excerpts on television screens. Some Jewish camp survivors’ testimonies are deeply moving, but it is Eichmann responses to the Israeli prosecutor’s questions that are most striking. He appears to be a calm, rather dull and methodical man, very much involved in his defense.

Eichmann’s defense went beyond the usual “I was just following orders” claim. We discover a man obsessed with leaving behind a positive image of himself, although he played a crucial part in one of the world’s most heinous crimes.

Because of the subject’s complexity, this is not an exhibition that can be skimmed through in half an hour. To fully understand the trial as well as the Israelis’ motives and Eichmann’s behavior takes a good two hours, but it is well worth it, given the quality of the work done by the curators.

The exhibition’s main value is that it puts the trial back into context and helps us understand why it was such a significant world event. For those who want to go beyond the exhibition, the Mémorial de la Shoah is holding a series of discussions and lectures about the trial in May and June.

Louis Fraysse

Mémorial de la Shoah: 17, rue Geoffroy l’Asnier, 75004 Paris. Métro: St Paul or Pont-Marie. Tel.: 01 42 77 44 72. Open Sunday-Friday, 10am-6pm; Thursday 10am-10pm. Admission: free. Through September 28.

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